Tuesday, November 30, 2010

last night's pose

Last night was a special Life Drawing session where we did one long pose for 3 hours (with tea & cookie breaks of course!)

Frankly, I was very intimidated by the prospect and maybe that's why I conveniently forgot to bring any good quality paper. I couldn't commit to the effort of drawing one drawing for 3 hours. Thinking back to art school, I can't even remember doing poses that long... though I'm sure we probably did. I've just blocked it out.

Anyway, I did remember to bring some ink so I used part of the time to experiment with that. This was 30 minutes.


This was the last 30 minute chunk of time. Another small head! She was a very tiny person in real life but I turned her into a mountain... though maybe this reflects her personality a bit. She seemed strong and confident.



Monday, November 29, 2010

Life Drawing Catch-Up Part 2: Various Views of 3 More Ladies

I have this one hanging up because I like it a lot and sometimes I can't believe I drew it... though she is much curvier on paper than she was in real life.


Same lady. Longer pose (maybe 35 mins?) Hard to photograph this one due to the pencil drawing. It's cooler in real life. But I like that I got her face to look pretty. Faces, hands, and feet of course are the hardest for me to pull off... which is why I often focus on them to the exclusion of the rest of the body.


Different week, different lady. 10 minutes but it was going well and I really wish it had been longer. I'm a painfully slow drawer - I look around the room and other people will have drawn whole bodies, classically beautiful and delicate. Meanwhile I'll only have a few heavy-handed scratches down...


Close-up face in a 40 minutes drawing.


Small head. My heads are always so small... am I over-compensating for my own very large head? Is it because I minimize the importance of the brain? Because I only possess a dinosaur-like-pea-brain myself?

She looks like a giantess here but in real life she was very very small.


Next lady, from last week.

My favourite-though-headless gesture of the night:


A 10-minute Rubens (she didn't have a perfectly flat head. That is just where my paper ended due to previous pages being flipped over the top of pad of newsprint) :






Life Drawing Catch-Up Part 1

I been remiss about posting my Life-Drawing progress (and regress) so here are my favourites from the last several weeks. Of course, I'm only postings the ones I have any sort of fondness for. The complete and total bombs are already lining the worm-bin.

1 minute gesture:


5 minutes:


5 minutes (I think, can't remember):


20 or 30 Minutes? I can't remember... but I do know it got a bit weird... but that's a good thing... I wish I could loosen up even more... I'm always torn between trying to make very classic, well-done, correct figure drawings (which is very hard for me) and going totally crazy (also hard). I usually end up in this mid-way, half-assed zone you see below.


This might have been a 40 minute one where I got bored and started drawing the plastic flowers nearby:






Monday, November 22, 2010

title: untitled

Kind of a gloomy day outside my window, luckily I can distract my gaze with this cool little trinket instead of focusing on the rain. It's just some old key chain from a Dutch bank but I like the horse and anchor logo.


I've been a little obsessive about Gord Downie lately. His solo albums and the latest Tragically Hip album (We Are the Same) were the soundtrack of my summer and I find him really inspiring as a hard-working-artist-type.

Anyway, I like going to shows but I'm not usually a groupie... but this changed when GD and The Country of Miracles played a small hall in my little hometown recently. I hung around to get a picture and a signature from the man himself - it just seemed appropriate to shake the hand of the man whose voice has been in my subconscious for over 2 decades IN the town where I did much of my growing up.

The group of four that I attended the concert with were all there because one guy happened to see a write-up for the poorly advertised gig in the local rag (which he says he normally never looks at). He took care of getting the tickets too because the rest of us don't live in that town anymore. Before heading to the venue the ticket-getter, who is a pilot, told us a story of seeing Gord many years ago at an airshow and the obscure thing Gord said... a plan began to hatch in my brain.

After the show, I waited to meet Gord Downie, not just because I wanted to meet him but to get an autograph for our pilot-friend.

And since pilot-friend doesn't have a lot of art on his walls, I decided to make a little collage-y, shadow-box thing to commemorate the magical evening.


There is a map of Ontario for the backdrop and you can see Kingston just below the moon (that's where both Gord and myself were born). The poems are from GD's book of poetry, both pertaining to flight. They're both typed out on old Airmail envelopes. There's a ticket and the autograph (appropriately flight-themed) written on the envelope that contained the tickets. In the lower-left is the picture of me and Gordo (with speech-bubble and the original, funny quote that inspired this whole adventure). Some stars, clouds, and a moon to go along with the motifs of the poems. And my favourite part, a little airplane hanging on strings so it can fly a little bit.

You can click on the picture to zoom in and read stuff if you like:


It's a little "scrap-booky" but I like it... I always liked making scrap-books... even though "scrapbooking" is a dirty word for most artsy-types...

It will be awhile before I use glitter again though. As a comedian once said (I can't remember who it was), "glitter is the Herpes of crafting"... that shit is EVERYWHERE now! Even my cats have caught this CTD (craft-transmitted-disease).

weekend acquisitions

A Jacob's Ladder toy covered in Gary Taxali characters and a cool old metal box.

I always loved and marveled at Jacob's Ladders when I was little. Nice to see them making a comeback, especially in such nice colours. That light teal colour is the same shade of my current nail polish (courtesy of Joe Fresh dontcha know).


The box has a plastic insert which I'll be throwing out. I think it was for holding slides judging by the size of the slots - though it seems like an ultra-heavy-duty way to carry slides around.


Close up:


Action shot:


I'm not exactly sure why Blogger won't let me change my font. I'll have to look at the code someday. argh.

Wednesday, November 17, 2010

orange i lucky?

Just a cool little dish that I found at a thrift store, too cute not to show off. I've never really seen a dish like it before. Is it for sugar? That must be why it's so sweet.


While we're on the subject of orangeness and sweetness. The large orange pot to the right of the dish is currently home to some fledgling avocado plants (if you read my farm-blog over the summer you will recall that I started an avocado once before but a dastardly chipmunk came by and ate it)! I'm pleased as punch to have these wee sprouts growing beside my work station - where I can keep a close eye on them and fend off any chipmunks attacks.


got framed

Whew! Got busy, got out of the habit of blogging - but here I am again!

Tonight's arty project was long overdue - about 7 years overdue in fact.

I've had this small print made by my friend and amazing artist Warren Heise (here's his website) since we were at Sheridan together. I needed to frame it finally because I still think it looks as cool as the day I got it.

Over the years it's lived in various large books, staying nice and flat, waiting for this day. Every now and then I would rediscover it and think, "I should really frame this..."

Well, no more! That little sucker lives on the wall now!

I got the frame from Value Village and the mat is an off-cut from the art store. So altogether this project only cost about $6 (not that the print doesn't deserve to be professionally framed - but I can't afford that extravagance yet! ... also, I have a mat-cutter so making semi-decent-home-framing is possible).

Before:


After:


In situ:

A close-up: